Speaking of automation, I found 14 automation lanes вЂ“ pretty much all the controls can be automated which could be useful to really fine tune a song's level and dynamics.ДЄs with other sonible audio processors, there is a Learn mode which helps optimize settings for a range of musical styles.

Of course in a DAW project all of s:lвЂ™s settings, even the States, as well as any automation you use, are saved. Instead of just A/B comparisons, s:l has eight States which allows you to store multiple parameter settings in a project. So far, all similar to a normal limiter, but s:l has a lot more tricks in its bag. There is also an Output gain control (which only reduces gain, from 0 dB to -24 dB).ДЄnd there is a preset system where you can save all settings and recall them in any other project. Note that even using a long attack time does not permit instantaneous peaks to exceed the true-peak setting. The familiar controls include true-peak level (adjustable from 0 dBFS to -6 dBFS), an input gain control adjustable from 0 dB to +24 dB, and attack/release time controls (including an Auto release time). Smart:limit (s:l) is a limiter with some familiar controls and some unique ones intended for the final loudness adjustment of an audio file. And now they have introduced a new approach to limiting designed for a specific task: satisfying the complicated balancing act of loudness and dynamics now required for broadcast and streaming services. Earlier this year they upped the ante on EQs with smart:EQ 3. Austrian company sonible have created some excellent audio plug-ins that are вЂњdifferentвЂќ from most, and very effective.

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